These pristine instruments were created in partnership with sonic artisan Uli Baronowsky of Galaxy Instruments. Galaxy Instruments are also responsible for the highly acclaimed NI instruments RISE & HIT and THE GIANT. Size: 4.87 GB. Big thanks to team magnetrixx enjoy please.
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The successor to the award winning, Native Instrument's FM8 continues where its massive predecessor had stopped. FM8 has an all new user interface and color scheme which looks nothing like the DX7-inspired interface the FM7 has. It's a powerful FM software synthesizer (VSTi, DXi, RTAS) which can be used for a wide range of genres.
It has the potential to provide bread 'n butter sounds like a typical ROMpler would and is thus a synthesizer with the power to become one of the few software synthesizers you'll ever need. Forget about the complexity of algorithms found in Yamaha's -series and, FM8 has an FM matrix in which the user can define any FM path imaginable.
Forget about the small two-line displays of the old days, FM8 has a clean user interface where every feature is one or two mouse clicks away and about every aspect of FM8 can be assigned to a controller via the MIDI learn button. With multi-segment envelopes, multi-segment scaling curves and an extensive modulation matrix, FM8 is capable of very detailed sounds baring an almost human quality and realism. If anything, FM8 is a synthesizer which invites you back to the era where it was fun and rewarding to create new sounds from scratch again. Thanks to the many sound shaping aspects you can change with velocity, aftertouch and other controllers, FM8 can be exceptionally expressive and musical. Add to this a vast new effects section and within a minute you'll forget the FM beasts of yesteryear. FM8 grows on you like a fine wine; the longer you use it, the more you'll appreciate it.
Every now and then you'll find out it's possible to craft sounds you never thought of as possible, a unique experience which sound designers thrive on. The IN-operator becomes effective when FM8 is being used as an effects plug-in (called FM8fx). Any audio source that's fed into FM8fx can be used as operator output. It can modulate and be modulated by the FM8fx operators, giving practically infinite sound shaping possibilities. Evidently, a normal FM8 instance can (as a whole) modulate an operator in an FM8fx instance. Simply put: the output of a complete FM8 patch (including its effects!) can modulate a simple sine wave in an FM8fx instance.
Use a sample player to feed a sample into FM8fx and you'll enter / territory. A practical aspect of FM8 is its low CPU usage. On a recent PC, multiple instances of FM8 together will easily give you hundreds of voices and tens of effects, which makes it a handy tool for any musical production. Sounds which FM8 does very well include all sorts of bells and chromatic percussion, DX pianos, organs, Rhodes, a wide range of basses, guitars, strings, lively percussion instruments, rich synthvoxes, classic stringmachines, woodwinds, brass, evolving pads, synthpads, expressive leads, harsh leads, sound effects, and all with fine musical expression and control.
FM8 is caviar for sound design gurus, which is something to keep in mind: it's still FM. FM may not be for everyone, it doesn't have the straightforward design of a traditional analogue synthesizer or even a basic ROMpler. FM-synthesis is vast, and demands more efforts before your sound sounds well, and even more efforts before it sounds musically expressive.
Luckily, this isn't a DX synth with a complex user interface, and even novice users will discover that the basics of FM8 are not too hard to understand. From the perspective of the user interface, Native Instruments has done their job very well. It has been used by Skrillex. Related Forum Topics.
With the new Native Instruments effect, The Mouth, sounds go in and different sounds come out. Like the company's former release, The Finger, The Mouth (Mac / Win) is a playful, creative tool designed to help you manipulate audio signals and get some interesting effects. WORLD IN HARMONY After the success of THE FINGER, British artist and musical prankster Tim Exile is back with THE MOUTH! Designed to generate melodies and harmonies out of whatever audio material you feed it, THE MOUTH is a unique and exciting way to get creative results on the fly. Sing, beatbox or send a drum loop into it and THE MOUTH comes to life as a tweakable synthesizer, bass, vocoder or talkbox-like effect. A playful interface provides you with plenty of room to shape your results as you go.
YOU DONT'T HAVE TO BE A 'KEYNIUS' TO BE A GENIUS You don't need musical training or sound design experience to get great results with THE MOUTH. THE MOUTH works by detecting the pitch of an incoming audio signal which is then auto-tuned to a selected musical scale or notes from a MIDI device - so your creations always stays in tune.
The auto-tuned signal is used to trigger the synthesizer, which in conjunction with the gate parameters adds additional melody and harmony. This makes THE MOUTH a perfect starting point for jamming and composition in the studio, or on stage as a lively and dynamic performance instrument. Use it in the free REAKTOR 5 PLAYER or get deeper inside THE MOUTH and see how it works with the full version of REAKTOR 5.5. MELODY MAKER There are four generators to craft your desired sound: Input (with a choice of the raw input audio, or a 'tuned' version), Synth, Bass and Vocoder.
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Everything is managed by 5 faders in a simple mixer section, which also includes a master FX section for coloring the final mix. Each generator comes with numerous different sounds easily selectable via a preset matrix in the interface. The 8 Performance Control knobs alter both sound and amplitude envelopes at once, for easily shaping the character of the sound, and adding additional harmonies. Switch to 'Beats Mode', and THE MOUTH will process incoming drum patterns into interesting arpeggiated melodies. THE MOUTH INTERACTIVE EP To highlight the unique sound possibilities of THE MOUTH, Tim Exile created a special 4 track interactive release; The 'Mouth Interactive EP'. No conventional EP, its a new REAKTOR ensemble available free to download and run in the free REAKTOR 5 PLAYER. Manipulate, break down and re-build the different tracks in real time, to get a taste of THE MOUTH's power and some inspiring examples of its uses.
Tim has also made a short tutorial video to help users get playing! THE INSTRUMENT CREATOR Acclaimed British producer, live performer and Warp Records recording artist Tim Exile has a long history with experimental music making. Since his first major collaboration with Native Instruments, THE FINGER, Tim has been hard at work directing THE MOUTH's development, which is based on initial ensembles made for his custom live setup. AT A GLANCE: THE MOUTH Product type: KOMPLETE Instrument & Effect Number of Sounds: 118 Sound Categories: Synthesizers, Multi-Effects Engines Utilized: REAKTOR Additional Info: For use as a stand-alone or plug-in effect within a sequencer host Native Instruments: The Mouth v1.0 WIN/MAC ASSiGN.